Collage: the antirational and semi-intentional

Collage is really the practice of a theory of knowledge: antirational and semi-intentional, it takes coincidence and chance materials as part of its method and inspiration. By eliminating transition, it embraces ambiguity, improvisation, speed, and multiplicity of meaning. It is expressive, but not primarily self-expressive. It does not place priority on closure, nor on conventional notions of completeness. In the constant conversation between unity and disunity, juxtaposition plays with omission and collision. It loves the energy of disruption and dislocation. Apollinaire, his contemporaries and their aesthetic heirs were more interested in creating inventive disorientations than in delivering packaged unities.

-Tony Hoagland

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